Omnipresence

Type
Art public
Interaction
Corps
Contexte
Extérieur
Année de creation
2017

OMNIPRESENCE is an audiovisual interactive mise en abyme that highlights technology’s ability to curate our digital persona.

https://player.vimeo.com/progressive_redirect/playback/1198891313/rendition/1080p/file.mp4%20%281080p%29.mp4?loc=external&signature=f7f7c02064a5704c3d5e155506dae59cea08c697ef1349774e7b107495b52712
2018, Gpark Festival, Xi'an, China
https://player.vimeo.com/progressive_redirect/playback/1198891340/rendition/1080p/file.mp4%20%281080p%29.mp4?loc=external&signature=d930233bb28f0d71ea6991412acc169ea22c7200e53efea2f95f70ca80ce1471
2017, Museo de Antioquia, Medellin, Colombia

OMNIPRESENCE is an audiovisual interactive mise en abyme that highlights technology’s ability to curate our digital persona.

The piece invites visitors to move around a digital infinity mirror that endlessly multiplies their reflection using video feedback. Before projecting the recorded video of the moving participants back onto the screen, a software tweaks some of the image properties distorting the perception of time and space.

Whether they are upside down images, delayed projections, reversed recordings or simply true untampered reflections, the infinitely mirrored body images lose their symmetry and seem to move at their own will, disconnected from the audience members initially triggering them.
A disorienting journey defying dimensions, OMNIPRESENCE makes you lose control of your own actions, causing diverting yet uneasy feelings about our impotence in the face of the digital world.

Presented at
2025, MUTEK, Montreal, Canada
2022, Urban Art Lab, Seoul, Korea
2022, Dubai World Expo 2020, Dubai, UAE
2021, Lumiere, Durham, United Kingdom
2020, Queensland Museum, Brisbane, Australia
2018, Gpark Festival, Xi'an, China
2017, Museo de Antioquia, Medellin, Colombia

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